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Mysore 2008

Chitra with her opening Varna (Karunimpa-Shahana-Adi-Tiruvotriyur Tyagayya) made the audience to sit up straight. Siddhi Vinayakam Seveham (Mohana Kalyani-Adi-Muthaiah Bhagavatar) was good.
Teliyaledu Rama (Dhenuka-Adi-Tyagaraja) briefly done, she explored the depth of Kalyani an Alapane. Here the virtuosity of the artiste came to limelight, when she effortlessly brought out the nuances of the Raga, in her richly endowed voice, which did not show any indication of quiver even while hovering around the Panchama of the higher registers. — S.R. Krishna Murthy

Bangalore 2007

Promising vocalist
“…The Bhairavi raga Thana and Pallavi, was the piece de resistance of the concert. It was marked for her masterly Layakari and it reached to a crescendo in the Ragamalika.

A Serene Kutchery

Star of Mysore – Chitra with her opening Varna (Karunimpa-Shahana-Adi-Tiruvotriyur Tyagayya) made the audience to sit up straight. Siddhi Vinayakam Seveham (Mohana Kalyani-Adi-Muthaiah Bhagavatar) was good.

Teliyaledu Rama (Dhenuka-Adi-Tyagaraja) briefly done, she explored the depth of Kalyani an Alapane. Here the virtuosity of the artiste came to limelight, when she effortlessly brought out the nuances of the Raga, in her richly endowed voice, which did not show any indication of quiver even while hovering around the Panchama of the higher registers. It was good to note that like her Shruthi, even her posture and facial expressions did not have any distortions.

Our Mysore lad Udaya Kiran on the violin showed his maturity as an accompanist, upholding the violin tradition of Mysore. Pankaja Lochana Pahi Muran-taka of Swathi Thirunal set to Mishra Chapu was a surprise composition, rendered neatly.

The Neraval at Brundavana-ntha Drhuta and the Swara that followed was devoid of any acrobatics, ending with a simple mathematics. Singing in Mysore, she took up Chintayami Jagadamba in Hindhola a composition of Jayachamarajendra Wadiyar, as well.

After a quick Abheri Bhajare Re Manasa of Mysooru Vasudevacharya, the evening’s Raga Keeravani was taken up for a detailed discovery, which she did commendably. Kaligiyunte Kada of Tyagaraja was treated with respect and devotion it deserved.
A pertinent Neraval at Baaguga Sri Ramuni Padamula and the Swara at the concluding part got a good applause of the audience. A Tani Avartana by the mridanga accompanist Sridhar deserves a special mention. His Tadana has mellowed down to a fine tune and pleasing.

The tailpieces after the main fare was numerous and lengthy, it obliterated the good effect of Keeravani. If the artiste confines to a couple of short ones after the main Raga, the savour of the main Raga will linger for a long time in the memory of listeners.
— S.R. Krishna Murthy

Hyderabad 2007
Pleasing recital
GUDIPOODI SRIHARI

Chitra’s concert was a pleasing rendition in traditional style. Chitra Srikrishna of Bengaluru gave a pleasing vocal concert at Ravindra Bharati for South Indian Cultural association recently. She is blessed with a mellifluous voice and good sruti conformity and her concert presentation stuck to tradition. Read the rest here…

Effortless vocal recital by Chitra

After a fragrant Ninnaada Nela in Kannada, Chitra came up with an excellent Ragam, Tanam and Pallavi in the delectable Shanmukhapriya Raga in the Adi Thala with an offbeat take off and displayed precise timing balance in her swara exercise. Read the rest here…

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